12/30/2023 0 Comments Rawdigger dynamic rangeCertainly not what you would expect based on the articles online. In terms of line pattern noise, though, it has perhaps a slight bit more than the A7 III, and definitely less than the Canon EOS R. The most noticeable thing to me is that it appears greener than the other photos – but that’s something you can correct with a small white balance adjustment. I’ll cut out the act now and show how the actual Z6 sample image compares: NIKON Z6 + 24-120mm f/4 58mm, ISO 100, 1/160, f/8.0 The Canon EOS R has a decent amount, and the Sony A7 III has a bit as well. But the two examples above go to show that line pattern noise isn’t a Nikon-only factor. This time, there is noticeably less line pattern noise, although it’s still visi-Īll right, I’m kidding around. Once again, I underexposed this photo by six stops, recovered it in RawDigger and Capture One, and then circled the offending noise. However, just because the Nikon Z6 has these patterns of noise doesn’t mean that…Īh, sorry – it looks like the image above isn’t from the Nikon Z6, but from the Canon EOS R. I’ve circled the most obvious patterns: Canon EOS R + RF24-105mm F4 L IS USM 58mm, ISO 100, 1/160, f/8.0 As you can see, there are indeed visible lines of noise, although only in certain parts of the image. I opened it in RawDigger, then exported as a TIFF and recovered the image with the “Exposure” slider in Capture One. The following image has been underexposed by six stops at base ISO 100. But now that we have performed complete dynamic range tests on today’s mirrorless cameras at Photography Life, my question is… why? Although most reviewers were quick to point out that 5-6 stops of shadow recovery is excessive, this issue nonetheless drew a lot of attention. One of the big headlines when the first Nikon Z6 and Z7 tests appeared online is that they exhibited a pattern of “banding,” or line pattern noise, when recovering shadows too much.
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